By May Herz | inside-mexico.com
When we speak about Puebla we inevitably think about the imposing volcanoes that guard her, the Popocateptl and Iztaccíhuatl, the culinary delicacies that were created in this state, such as Mole Poblano, its baroque architecture, and of course, Talavera ceramics, that adorns practically every building, every patio, every square and even kitchens.
Talavera kitchen canister. (Picture courtesy of lafuente.com)
Talavera is a type of majolica earthenware, a white and glazed type of ceramic. Although the Spaniards introduced the Talavera pottery, ironically the term Talavera is used much more in Mexico than in Talavera de la Reina, Spain.
In fact, Talavera is the oldest tin-glazed ceramic in America and it is still being manufactured with the same techniques as in the 16th Century.
Puebla not only was the second most important city in Mexico, after the country’s capital Mexico City, it was the most important earthenware center of the Nueva España, which was the name of Mexico in Colonial times.
The production of Talavera tile and ceramic ware in Puebla, started almost immediately the city was established in 1531. Thanks to the abundance of quality clay in the region and to the splendor of the arts at that time in Puebla, in a short time the Talavera Poblana achieved such quality and beauty that it was soon exported to the rest of the continent.
There are several theories about its origin in Mexico, but the most accepted explanation is that Spanish monks from the Santo Domingo monastery in Puebla, sent for craftsmen from Talavera de la Reina to teach the indigenous people of the region how to work the clay so they could create pieces similar to the ones produced in Spain. They wanted to decorate with tiles and religious sculptures their monastery and church.
The indigenous people of Mexico were very accomplished potters and already had a very long tradition producing earthenware. But they did not know how to use the potters wheel or tin-glaze their pottery, which is one of the main characteristics of the majolica ceramic.
Other versions state that the Dominican friars were the ones that knew how to produce this type of ceramic and that they were the ones that taught the Indians how to do it.
The truth is there are documents that record the presence of several craftsmen from Talavera de la Reina in Puebla during the 16th Century, which established their workshops to produce tiles and ceramic wares. It was a very profitable business since there were so many churches and monasteries being built.
In time, a potter’s gild was formed and Ordinances were laid down, that all of the potters that wished to produce Talavera had to follow. This was done so that the quality of the ceramics called Talavera was uniform and that this earthenware had a distinctive style and excellence.
Some of the rules established by the Ordinances were:
When we look at the plates, jars, vases, and tiles, we can detect the confluence of several extraordinary cultures in this type of art. We can easily observe distinctive characteristics of Spanish, Arabic, Italian and Chinese origin, and of course the magnificent creativity of the Mestizos and Indigenous people of Mexico.
It was during the 18th Century that Talavera “dresses up” with colors: green, mauve, yellow, in addition to the blue tones so popular in the 16th and 17th Centuries.
Talavera was not limited to the production of pots, plates, jars and religious figures. It reached other spheres of life in Puebla. The azulejos, tiles, decorated splendidly cupolas, façades of monasteries and buildings, and was the quintessential element of Puebla’s baroque architecture. They were splendidly used in kitchens, this fantastic culinary “laboratories” from which so many dishes were created.
Talavera tile. (Picture courtesy of lafuente.com)
It is a real esthetical treat to stroll through the colonial streets of Puebla and be able to see this splendid architecture, the marvelous creativity that reached all spheres of this city’s life.
The use of azulejos denoted the prosperity of the owners of a particular house or building. So much so, that a popular saying at that time stated that someone that wouldn’t amount to anything in life would never have a Casa de Azulejos or a house of tiles.
Now a days, Talavera is still very popular, and pieces of extraordinary quality that are very expensive are still being produced. Unfortunately there are also many poor imitations. When you buy an authentic Talavera piece, it must be signed at the base by the workshop that produces it, and it must state that it is from Puebla.
Talavera is the name given only to the earthenware produced in Puebla.
If you have a chance to go to Puebla, don’t miss the opportunity to learn and admire this centuries old tradition.
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To get additional information about talavera pottery mexico, and talavera ceramics, please visit our talavera pottery informational site.
To get additional information about talavera tile mexico, and talavera ceramics, please visit our talavera tile informational site.
emilia brown / hb.amazines.com
Handmade ceramics are beautiful works of art and can be used for many decorative purposes. Tin glazed, hand painted ceramics are eco-friendly pieces of art that are durable and have great insulative properties. It is resistance to wear and corrosion and can last you a lifetime if kept properly and used safely. Ceramic pots can be used for cooking as well as serving dishes since they are heat resistant and look beautiful at the same time. It takes a lot of skill and effort for a person to personally make the ceramic piece and paint it. This gives the ceramic piece a great sense of style and uniqueness. Ceramic crafting requires geometrical accuracy for a good piece to be made and the painting of the piece requires great accuracy.
There are companies that do make ceramics on a large scale, but these ceramics are made using different techniques like selective laser sintering. But production of ceramics on a large scale does not allow the pieces made to be unique. A genuine ceramic piece is made using traditional methods and the painting on the piece has a lot more detail and is a lot more unique.
Ceramics can be used for different purposes such as cooking, storing and serving food. There are also knives, cups, lamps and other different things that are made of ceramics. Ceramics are also used for the sole purpose of design because a handmade ceramic piece is considered a work of art.
The ceramics that are used for cooking or serving and storing food must be safe to use and must not contain any mineral that can cause damage to the human body. Most ceramic pieces contain lead, which can be deadly if a lot of it is consumed. If you are planning to buy kitchen utensils or knives which are ceramic pieces, you must check with the retailer to make sure there is no lead in the pieces. The ceramics that are used for cooking purposes must be FDA approved to ensure the safety of you and your family.
You can also find ceramic items that are used for other purposes other than cooking and storing food. You can get jewelry boxes, soap dishes, spoon rests and many more ceramic products which are all handmade and painted. If you want to gift ideas, ceramics are considered great gifts as they are very good looking and can be used as showpieces. So the next time you want to buy ceramics, make sure they are hand made since handmade ceramics have a lot more detail to them and look a lot more classier than ceramics that are mass produced.
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by emilia brown / hb.amazines.com
Ceramics in Greek means Pottery, which is the use of clay and other minerals to make pots. But today ceramics can be defined as inorganic materials made from minerals in the earth. In ancient history decorative ceramics was a great part of many cultures including the Greeks, Arabs, Mayans, Chinese and places around the Mediterranean. Ceramics are widely used in the industrial world as well because of its heat resistant properties and also other properties. Compared to many other metals, ceramics are much lighter and are therefore used for many industrial purposes. Hand Painted ceramics were used for a lot of things in the ancient times as well but were mainly used for decorative purposes. The ancient Chinese Emperors used to give ceramics as gifts to other kings for diplomatic purposes. Pottery was always a great part of the ancient culture and was used to make things like utensils, knives, storage jars and many other household items. But glazed pottery only came into existence much later, around the time of the ancient Mesopotamian civilization.
In the Ancient Mediterranean, making decorative hand painted ceramics was also a widely practiced activity by many of the people. Ancient Egyptian pottery dates back to 3000BC and ceramics were produced on a wide scale, where they used moulds to produce pots and later on, used the wheel.
Tin-glazed pottery came out much later and once this was spread throughout many different civilizations it was used a lot because the people found it to be a lot more durable than normal pottery. The process of glazing is done by heating the clay to about 2000 degrees and then dipping it in a glaze made from tin, calcium and other minerals. This made the pots resistant to high temperatures and helped making the decorating part of the ceramic a lot easier.
Since every ceramic is handmade and hand painted it takes a lot of effort to make one and it requires a lot of skill as well. The process involves a lot of techniques since some ceramics are geometrically and figuratively painted and every culture had different styles of painting the ceramics.
Nowadays ceramics are widely used for decorating a place and can be used as the center piece of a room. The hand painted ceramics, which is still very widely practiced in parts of the world, are of great value and must be well kept. Thanks to the glazing of these ceramics, they do not have any problem of corrosion and are therefore extremely long lasting if kept well.
.hb.amazines.com
Ceramics and pottery in Mexico date far back before the Pre-Columbian period for thousands of years, when the ceramic arts and pottery crafts developed with the first advanced civilizations and cultures of Mesoamerica. With one exception, pre-Hispanic wares were not glazed, but rather burnished and painted with colored fine clay slips. The potter’s wheel was unknown as well, with pieces being shaped by molding, coiling and other methods. After the Spanish Invasion and Conquest, European techniques and designs were introduced, nearly wiping out the native traditions. Indigenous traditions survive in a few pottery items such as comals, and the addition of indigenous design elements into mostly European motifs. Today, ceramics are still produced from traditional items such as dishes, kitchen utensils to new items such as sculptures and folk art. Despite the fame of the prior, the bulk of ceramic items produced in the country are floor and wall tiles along with bathroom fixtures.
Mexico has a number of well-known artisan ceramic traditions, most of which are in the center and south of the country. Examples are the Talavera of Puebla, the majolica of Guanajuato, the various wares of the Guadalajara area, and barro negro of Oaxaca. A more recent addition is the production of Mata Ortiz or Pakimé wares in Chihuahua. While the number of artisans has been dropping due to completion from mass produced items, the production of folk art and fine ware still has an important role in the Mexican economy and the production of pottery in general is still important to Mexican culture.
The making of earthenware began to replace stone utensils in Mexico began around the Purrón period (2300-1500 BCE). Many of these first ceramics were gourd or squash shaped, a carry over from when these vegetables were used to carry liquids.[1] This earthenware developed into a pottery tradition which was mostly made in natural clay and thinly coated with a fine clay slip. Most clays in Mexico need temper to regulate water absorption, with one significant exception being the clay used in the Fine Orangeware of the Gulf Coast.[2]
Pre-hispanic vessels were shaped by modeling, coiling or molding. Except for a proto wheel used by the Zapotecs, the potter’s wheel was unknown until the Spanish Conquest. Simple pinch pots or coiled pots were usually made by the family, with larger molded pieces made by craftsmen.[3] The earliest molded pieces were simply clay pressed against a pre-existing bowl, but double molds and slip casting came to be use to make bowls with relief decorations. Famous examples of this type exist in Tlaxcala and Puebla states.[4] Many figurines were also made using molds. Sometimes vessels were made with several molded pieces with the upper part finished by coiling.[4]
tequilasource.com
Tequila is North America’s first distilled spirit, and has been produced in México since shortly after the Spanish conquered the country in the early 1500s.
To be classified as tequila, it must be made from no less than 51% Weber blue agave. Better and high-end tequilas are made from 100% Weber blue agave. Today’s fine tequilas are highly coveted by collectors worldwide—for both the smooth aromatic liquor and the handcrafted decorative bottle.
México’s tequila producers, almost all located in a one hundred-mile radius of the town of Tequila in Jalisco State, distill hundreds of brands, some the old way – in small lots in tiny family-run fabricas – most in ultra-modern distilleries. As of January 31, 2011, there are 142 registered tequila distilleries producing 1,155 certified brands. These producers are often using artisans to create unique hand-blown glass, crystal, ceramic, and Talavera pottery bottles that savvy collectors are snapping up like fine vintages of wine.
ibtimes.com
Gracia studio have completed an interesting architecture project located in Todos Santos, Mexico made up of two houses, one available for rent and the other one as a vacation home for the owners. Two basic materials were used for the finishing touch of the project’s facade: “talavera” tiles, a typical materials in México since the Spanish conquest and exposed concrete walls. These make the residence embed perfectly in its natural environment.
All the rooms in the house are open towards the pool and terrace which provides easy access to the outdoors. The focal point of this home however remains its beautiful semi-covered pool, a perfect space for socializing and relaxation. We found out that the residence was built with a relatively small budget, despite its highly intriguing appearance.
interiordesignpartners.com
Since ancient times, tile has been used for both construction and decorative purposes. It’s been an essential component throughout the history of building and design.
As early as 4000 BC, glazed tiles were used for decoration in Egypt and ancient Mesopotamia. From China and the Far East, to the Near East and throughout Europe, tile became a prominent art form as well as a beautiful and durable building material.
Tile fabrication methods and patterns have long had meaning to different regions of the world, and varied designs from different countries are now easily recognizable. Consider for example Delft from the Netherlands, Majolica from Italy, or Mexico’s intricate, decorative Talavera tiles. In each region, fabrication and decorative techniques have been carefully guarded and passed down through generations.
While handmade tile is still available, machine-made tile dominates the industry today. With the wide range of tile types available, guides and ratings for porcelain versus non-porcelain ceramic and natural stone tiles can be very helpful and informative, for both designers and consumers alike. The National Kitchen & Bath Association (NKBA) website offers an an excellent summary for the beginner.
Knowledge about different grout types and applications is critical, and can help one avoid last minute confusion that arises all too often during installations. Grout can be a blended background color that allows the tile to shine, or it can become part of the overall design, creating a pronounced grid and strong graphic effect. The Tile Doctor website is an excellent resource for learning about installation techniques such as surface preparation, joint types, and grout types and uses for flooring, shower and bath, countertops, and more.
From natural materials to high-tech innovations in tile, the range of options has expanded greatly in recent years. Glass tile, metal tile, tumbled natural stone tile, and even light-emitting tiles have all hit the market and are widely popular today. Mixing and matching different tile types has become popular recently. One such example involves the incorporation of metal tiles in stone or other natural tile designs.
The huge assortment of tile types and materials available today enables designers and their clients to create unique and personalized bathrooms, kitchens, sunrooms, floor designs, and more while carrying on the tradition begun many thousands of years ago.
Click here to get more information on talavera tile mexico
Edward Paul Skibitzke, Architect, President, BarroNica Building Products, Inc.*
“Talavera” is a name often associated with handmade glazed tiles of Mexico. Much has been written about the history of Talavera tile, which will be briefly covered in this article. Sadly, the practical and aesthetic considerations that go into the selection and use of this exuberantly beautiful tile are seldom presented in an easily understood and useful manner. This article is an attempt to rectify this situation.
A Brief History
The name “Talavera” comes from the Spanish town, Talavera de la Reina. It is reported that artisans from this town traveled to Mexico in the 2nd half of the 16th century during Spain’s colonization of the Americas. Their initial destination was Puebla, the city now most closely associated with Talavera tile and ceramics. The unique skills that these craftsmen brought with them, however, can be traced to influences Italy, North Africa, Asia and Northern Europe.
As commerce and travel increasingly interconnected different parts of Mexico during this colonial period, the products of these Spanish ceramicists from Talavera became both well known and desired throughout many parts of Latin America. It was during this period that the name “Talavera” became synonymous with the unique tile and ceramic designs flowing from the hands of these skilled craftsmen.
The Spaniards directing the work in their studios in Puebla brought indigenous people into their shops as laborers. With time, this brought about a blending of Spanish sensitivities with native aesthetics to give birth to a wide variety of tile motifs as well as a growing group of potters with ethnicities as varied as the designs they were producing. This led to a deterioration in both traditional design purity and consistent tile quality. The Spanish Viceroy responded to the growing outcry from the Spanish potters in Puebla by issuing the Decree of 1653, which strictly controlled many aspects of the ceramics trade in Mexico. These new regulations created an exact classification system for three levels of pottery, precise clay mixture formulas, specific glazing colors and design criteria for the use of these glazes, and limited the practitioners of this trade to being only pure Spanish. In 1682 an addendum was enacted to extend this control. Two of the results of these decrees were a noticeable increase in tile quality and a tightening of the range of design patterns of Talavera tile.
Eventually, forces of history, such as the stirrings of independence from Spain and increased importation of inexpensive ceramics from China, created excessive price competition to Puebla’s Talavera tile trade, leading to a sharp decrease in both demand and manufacture of this pottery.
The decline continued until a resurgence of interest emerged approximately 25 years ago. It is reported that a specific event that was part of this renewed interest was a chance discovery of an old box of Talavera tile by a person who was inspired, by this discovery, to start their own tile importing company. 25 years later, their name is now synonymous with high quality tile of many types including Talavera tile, which is now manufactured by a number of studios in Mexico. Talavera tile is now readily available through reliable importers, much to the delight of all of us in the design community who appreciate the beauty of this unique, historic artistic expression in ceramics.
Talavera Tile Use
The appropriate use of Talavera tile results from comprehending its specific qualities, namely:
Handmade and thus no two pieces are exactly alike in both design and dimension and, quite often, not perfectly flat. Glazed and thus resistant to both wear and moisture penetration but can be slippery when wet. Colorful in design but diminutive in size with typical sizes being in the 4″ x 4″ to 6″ x 6″ range. Slightly crazed surface glazing, giving it a “faceted” look under the right lighting conditions but also rendering it not completely “waterproof” Designs and colors are bold and definite and thus do not tend toward pastels or subtle edge-blending of softer glaze colors Individual tile designs that, when joined together, form a new and larger design pattern. These qualities suggest specific usages, especially in architectural styles that would be considered more “Spanish”, “Mediterranean”, or “Latin American”. Stair risers, door and window surrounds, countertops and splashes, shower walls, accent bands, and wail panels are just some of the many uses to which this tile can be put that will enhance the overall character of the buildings in which they are used.
Talavera Tile Selection
The use to which Talavera tile will be put dictates the correct selection of the particular tile being used. For example, if the tile is being used on food preparation surfaces, it is prudent to verify that the tile, in both its bisque form (fired but unglazed clay) and glazed form have been fired to a temperature appropriate for food contact. This normally means that the bisque has been fired to a cone 03 temperature. This temperature varies as per the type of testing “cone” system used in the kiln temperature testing process, but ranges from 2014° to 2068° F (1101° to 1131° C). Also, for food preparation areas, verify that the tile has been glazed with a food-safe glaze.
Because tiles, fired at this higher temperature, exhibit decreased surface crazing, use of these tiles is more appropriate where water and significant temperature variations occur such as inside showers and exterior walkway and patio accent tiles. Please note that I do not recommend large areas of Talavera tile on exterior walking surfaces because of the potential for slippage when the tiles are wet. Tiles used for backsplashes, wall panels, stair risers, and other interior and exterior vertical applications can be of a lower temperature firing with little concern.
Talavera tiles act in a wonderfully synergistic way with terracotta handmade clay floor tiles. Handmade terracotta tiles of a high quality (high-temperature fired and made from clays and topsoils rich in minerals that produce a rich range of color when wood fired) both complement and are complemented by Talavera tiles that are placed artistically within the walking surface design. The vibrant colors and smaller scale of the Talavera tiles blend and accent beautifully with the range of warm earth tones found in high quality handmade clay tiles. When used in an exterior application, care should be taken in keeping the amount of glazed Talavera tile to widths narrow enough to minimize the possibility of slippage when the walking surface becomes wet.
Talavera Tile Design Considerations
Sensitivity to the architectural “look” of the installation is an absolute necessity when using Talavara tiles. The scale, mass, and general character of the space or object being enhanced by the use of these tiles will dictate what particular pattern, color, quantity and size of Talavera tile to use so as to maximize the aesthetic impact of this particular architectural element. For instance, certain Talavera patterns lend themselves to a single tile height linear placement where other patterns are most effectively used when 4 or more tiles are placed together, forming a larger pattern.
The Viceroy Edicts of 1653 and 1682 are no longer in effect. Thus, a wider variety of patterns, designs, and colors are now available in what is still considered Talavera tile. Many of these more contemporary patterns are of a whimsical nature and might be more appropriate in spaces where a greater informality or lighter “touch” is desired such as a child’s bathroom. Also, numbered tiles in a variety of graphic styles are now available that can be effectively used as house, building, or office numbering systems. These number tiles can be enhanced by surrounding them with solid colored tiles cut to 1 to 2 inch widths. Many studios now produce solid colored tiles that are coordinated with the standard hues found in traditional Talavera tiles.
Because of the availability of these coordinated solid colors, an exiting design possibility now exists to combine panels of traditional Talavera tile with accent bands of solid colors, cur to widths whose smaller scale gives a more elegant touch to the overall installation. I often use solid color tiles under standard sized tiles as stair risers, where riser heights vary from project to project. This allows me to use a standard size tile with the solid color cut to fit the specific riser height.
This riser tile blend is normally placed under the bull nosed handmade terracotta clay tile stair tread. This combination of two hand crafted clay products yields a rich combination and contrast of colors mentioned above.
Talavera Tile Installation Considerations
Keeping in mind that usage dictates selection, the use to which the tile will be put dictates specific installation considerations. These considerations, in installation sequence, are:
Tile Preparation
Prior to beginning an installation, inspect each tile for cracks or other deformities that make its use inappropriate for the appiication intended. For example, a cracked tile that might unuseabie for a countertop could be used on a decorative vertical surface. Once placed in a wall panel, the crack may be unnoticeable and, thus, does not detract from the overall appearance of the installation. In some cases, such a crack can actually enhance the antique quality of the tile panel.
If the tile is going to be used in a constantly moist area, it might behoove you to dip the tile in a water repellant. I use a clear, proprietary, water repeliant that, when dry, gives no sign of its presence yet creates a barrier that minimizes moisture migration in either direction.
Surface Receiving Tile
The surface receiving the tile is either vertical or horizontal. Tile placed on a vertical surface is generally subjected to much less impact or abusive environmental wear than horizontal surfaces. Thus, conventional tile installation practices are appropriate most vertical surfaces.
Horizontally surfaced tile installations require increased care. Carefully inspect all horizontal surface that will receive tile, if the surface is a concrete stab, look for surface cracks wider than the thickness of a business card. Such cracks are indicative of a lack of or inadequate reinforcing steel in the concrete. These cracks, if they continue to widen, will ultimately transmit through to the tile. If cracks of this width are detected, the use of a crack isolation membrane is highly recommended. When I detect cracks of this size or when the slab is over an interior space, I specify an epoxy-based crack isolation membrane that both minimizes crack transmission into the tile and provides a waterproof membrane that protects the space below from moisture intrusion.
If the horizontal surface receiving tile is a walking surface supported by wood framing, attention must be given to deflection occurring in this framing. As the floor is walked on, a downward bowing, or deflection, occurs which can place stress on the tile, which can cause it to crack. Tile, being a brittle material, does not deflect well!
Verify that the structural members carrying this floor load are sized to carry both the live load (the people and things moving across the floor as a dynamic load) and the dead load (the weight of all building materials, including the tile and its grout bed). This structural flooring system should include a floor sheathing designed for minimal deflection between its supporting floor joists. This sheathing should be a minimum of 3/4″ thick tongue and groove material for joists that are spaced 16″ on center. If both the floor thickness and budget allow, I prefer to use a 1 1/4″ thick tongue and groove subfloor.
The subfloor should then be covered with a mortar bed conforming to specifications found in the Dimensional Stone Design Manual, published by the Marble Institute of America. These specifications, in part, call for a “slip sheet” or “isolation membrane” to be placed” directly on the subffoor, covered by a mortar bed reinforced with 2x2x16/16 steel mesh onto which the tile is placed.
Surface Preparation
The surface to be finished, whether concrete slab or mortar bed on wood subfloor, should be swept clean of all debris. A Portland Cement-based thin-set adhesive should be applied to both the receiving surface and the back of the tile with a notched trowel. The back of the tile should be fully covered with the adhesive. Place the tile onto the grouted surface, verifying that the direction of the grooves of the adhesive on the tile are laid perpendicular to the groove direction on the floor surface adhesive. Tap the tile into place. This process minimizes air pockets under the tile and maximizes adhesion between the tile and subsurface. If the Talavera tile is being used in tandem with handmade clay tile, as suggested above, attention must be given to the varying thickness of two tiles. Install the thicker tile first, using the method described above. Fill in the surface on which the Talavera tile is to be placed to a level such that, when the Talavera tile is placed on the adhesive grout bed, the surface of both tiles are at the same level.
Joint Grouting
Give design consideration to joint grouting. Such consideration includes grout joint width, grout color, grout composition, and grout texture. Grout joint width can be varied to adjust tile alignment with adjacent handmade terracotta tiles or other architectural elements that are more pleasingly incorporated into the overall architectural design when the tiles edge is aligned with these elements.
Attention should be given to the grout color as relates to the color of tile chosen. There may be a desire to accentuate the tile with a border of contrasting grout color. To more closely connect each tile with each other, use a grout color in a hue that approximates the colors found in the tile.
Grout composition refers to a sand/Portland Cement grout compared to a piaster grout. Generally, the wider the grout joint, the more the tendency to use the rougher sand/Portland Cement grout. Since Talavera tiles are handmade and thus somewhat irregular, a thicker grout joint can accommodate this irregularity more easily. Plaster grout is used when a thinner and smoother grout joint is desired.
Grout texture, even when a sand/Portland Cement grout is used, can be kept smoother by using a “tooled” joint. A slightly rounded smooth metal tool is used like a miniature trowel as it is drawn over the joint, creating a slight indentation that is made smooth by the use of this instrument. A rougher texture can be achieved by using what is referred to as a “sack rubbed finish”, achieved by gently rubbing the grout joint flush with the surface of the tile with a burlap sack cloth after the grout has become somewhat firm.
If Talavera tile is being installed along side handmade clay tile, apply a grout release to the tile prior to installing the grout, this keeps the fine particles of Portland Cement from becoming imbedded in the tile which will dul! the rich warm tones of the terracotta prior to finishing.
Sealing And Finishing
Sealing and finishing is done after the grout is fully dry. DO NOT attempt this process until both the tile and grout joints are completely dry otherwise moisture can become trapped in the handmade clay tile and cause a milky film to form on the tile after sealing and finishing.
I first apply a thin coat of the clear water repellent mentioned above in “1. Tile Preparation”. This creates the initial protective barrier that penetrates both the tile and the grout and on to which is applied the final finishing coats. The final coats of sealer/top coat are more for the benefit of the grout joints and terracotta tile than they are for the Talavera tile which has already gained its resistance to the elements from its glaze. Apply as many final coats as is necessary to achieve the finish and texture desired. These coats should be thinly applied to minimize “blushing” (a milky white forming within the coat).
Summary
Much more could be written in each of the above segments of this article however it is my hope that this limited presentation has given you a greater appreciation of this wonderful tile called “Talavera” and directed you on a path that helps you use it in an optimum manner in terms of both aesthetics and function.
*This article can be reproduced as far as the text, links, and this notice are kept intact. Barronica Building Products and Fine Crafts & Imports. All rights reserved.
FOR IMMEDIATE RELEASE
PRLog (Press Release) – May 12, 2011 – COLORADO SPRINGS, CO –La Fuente Imports is now able to offer their clientele the beautiful, hand-crafted and painted Talavera tiles with Day of the Dead motifs. These eye-catching accent pieces are great for placing in kitchens, baths, hanging on the wall around your indoors’ bar area or outside party area. Also, the decorative ceramic tiles are perfect for covering the risers on a staircase. In order to ‘waste not’, use your left-over tiles as excellent coasters and trivets. One the practical side, these tiles may serve for both decorative and functional purposes, simultaneously. Andy Fuentes, owner of La Fuente, is even offering a special on these spectacular tiles – “Buy by the box and save 20 percent!”
Little has changed in the manufacturing process of Talavera tiles, since their inception in Mexico in 1653, when a potters’ guild was formed to regulate their manufacturing. Today, the basic process remains virtually the same.
The Day of the Dead is a festivity which originated in Mexico over 500 years ago, to honor their dead in the after-life. It is also a celebration of life after death, and takes place each year on the 2nd of November. Though now considered a Catholic festivity, other countries are also now celebrating this date with parades.
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About La Fuente Imports Since 1997, La Fuente Imports is the Internet’s top source for the finest in home furnishings, accessories, and artwork from south of the border. They are proud to provide a pleasant shopping experience by offering the most original items available from Mexico, Central and South America, all at very affordable prices. At La Fuente Imports they work directly with every artist and hand-select each piece to ensure the highest possible quality and variety for their customers.
La Fuente Imports has transitioned to an internet-based business and therefore no longer offers a brick and mortar storefront. The Colorado Springs warehouse is available to pick up merchandise by appointment only. Visit them at www.lafuente.com.
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fodors.com
These blue-on-white ceramics are named for the Spanish town where they originated; authentic Mexican Talavera is produced in Puebla and parts of Tlaxcala and Guanajuato. Look on the back or bottom of the piece for the factory name and state of origin; manufacturers throughout Mexico produce Talavera-style pieces, which should sell for much less.
